Analysis from musical and audiovisual perspective
Questions: tomas.hendriks@gmail.com
Session #5 : Narrativity
March 27th, 2020
Continuing with Decision Pending. And some thought from Vincent Meelberg about narrativity in (atonal) music.
Zoom meeting Friday 27th @ 11:00AM (Montreal) / 16:00 (Europe): https://zoom.us/j/235096175
Session #4 : Conveying experiences in film
March 24th, 2020
Taking a look at the creation process of my films Strangers and Decision Pending.
Please read Walter Murch's "Dense Clarity - Clear Density"
Session #3 : Functions of sound, time-thrust
March 20th, 2020
We'll finish with There Will Be Blood, discussing what the first analysis has brought up.
Some more thoughts about functions of sound, before continuing with ideas from Andrei Tarkovsky.
Session #2 : Listening, relations of sound and image
March 17th, 2020
Ideas from M. Chion's Audio-Vision, analysis of opening sequence There Will Be Blood. The Excel file is what we've found together.
Session #1 : Introduction mise-en-scène, cinematography
March 10th, 2020
Crash course terminology of the shot: a visual approach.
First thoughts on what could be musicality in film.
Staging in Minority Report (2002), Steven Spielberg
source:
The Grand Budapest Hotel (2014), Wes Anderson
Touch of Evil (1958), Orson Welles
Long take, mobile camera
Playtime (1967), Jacques Tati
Long take, fixed camera